
SHAKUHACHI


KOTO
The koto is a traditional Japanese stringed musical instrument derived from the Chinese guzheng. The koto is the national instrument of Japan. Koto are about 180 centimetres long, and made from kiri wood. They have 13 strings that are strung over 13 movable bridges along the length of the instrument. Players can adjust the string pitches by moving these bridges before playing, and use three finger picks (on thumb, index finger, and middle finger) to pluck the strings.
One of the characters for koto is also read as in certain contexts. Though often called by a number of other names, these terms almost always refer to similar, but different instruments, such as the Chinese guzheng.


HOTCHIKU
Hotchiku is a Japanese end-blown flute, crafted from root sections of bamboo. After cleaning and sanding, the heavy root end of the bamboo stalk reveals many small circular knots where the roots formerly joined the stalk. The same part of the bamboo plant is also used to produce the shakuhachi but, unlike the shakuhachi, the hotchiku's inside (bore) and outside surfaces are left unlaquered and its mouthpiece is not inlaid. The membranes at the nodes inside a hotchiku bore are generally left more intact than those of a shakuhachi.Hotchiku have four holes down the front for fingers and one hole on the back for the thumb of the upper hand. The instrument is capable of a range of at least two octaves, and more if well crafted in the hands of an experienced player. Hotchiku can be fashioned to any length. Hotchiku are typically,though not always,longer than shakuhachi.
BIWA
The biwa derives from a Chinese lute which itself derives from a Persian/Middle Eastern lute called barbat The biwa reached Japan from China during the Nara Period (710-759 AD), and five instruments from that time are kept in the Shōsōin, the national treasure house of Japan. One of them, a rare, five-stringed gogenbiwa, decorated with Central Asian themes, including a camel. This instrument is literally one of its kinds in Asia, being the only one preserved from the period, although similar instruments are manufactured in small numbers today. Wandering Biwa players, similar to minstrels, were known as Biwa hōshi.
The playing of the Biwa nearly became extinct during the Meiji period as Western music and instruments became popular.